“I’ve gone back to fish on Fridays and not being a lesbian.”
Amelia Bullimore’s play Di and Viv and Rose, first seen at Hampstead theatre in 2013, is a piece of popular theatre with some heart and depth and three truthful and engaging characters who are easy to identify with- especially if you are a woman of a certain age. It’s the kind of theatre that there should be more of. A long friendship between three women who meet at university is explored and we are shown how the vagaries of life impact on their relationships. It is solidly rooted in character and doesn’t particularly try to make any points about the wider world or the changing politics of the times so we are made to focus directly on the three women and it is all the better for that. It makes it a very personal, heartfelt play which is easy to relate to and easy to like. The scenes move along quickly, establishing time and character with a clever shorthand, especially at the start, in a way that never feels rushed- the communal phone in the early scenes worked particularly well in the round. The music is perfectly chosen and has the power to take you right back to the era it represents- especially if you heard it first time around. Women’s friendships are communicative and confessional but they can also be volatile and this is captured perfectly as the play progresses.
The three women are nicely contrasted. Rose is lively and outgoing, ready to make the most of her first taste of freedom. She is naive, well meaning and promiscuous in a kind of open hearted innocent way. Margaret Cabourn-Smith plays her with a lively stage presence and a natural warmth. Viv is the hardworking, focused academic who knows exactly what she wants and ends up getting it. Grace Cookey-Gam has great style and becomes very moving in the later stages of the play. My favourite of the three women, and the one who I think is given the strongest story and develops most as time goes on, is Di. Di is a sporty, gay woman. She is socially awkward to start with but gains style and maturity as time goes on and she finds her confidence along with a certain bitter knowledge of life. Polly Lister plays her beautifully. One of her speeches in particular was utterly heartbreaking and it will stay with me for a long time. I won’t spoil it by giving away the context but I doubt you will ever see it done better. They all work together well and become a believable threesome, helped by naturalistic dialogue that flows easily.
Lotte Wakeham’s direction has given the production it’s speed and this is important in a play that moves through time with a lot of short scenes and the design by Jason Taylor gives an appropriate sense of transience as life moves on. Lighted packing boxes are used imaginatively and props are used to call up a setting quickly and easily, but it was the acting which impressed me most. I came away with those characters in my head and that is down to three very good performances and some great teamwork on stage. It’s not a play which will necessarily go down as a classic but it’s a clever, heartfelt piece of writing and we need more like it. The middle ground is not well enough served in theatre- the space between a pot boiler and a challenging cerebral workout- and we need more plays like it. If we are honest that is where most of us are and we need to see ourselves reflected back from the stage.